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PASSAGE (Wilma): Love and death in Country X

The way to get an audience to ask itself profound questions about a work is not by asking the audience profound questions about the work.

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THERE (Wilma): 2019 Fringe review

Visually arresting and aurally haunting, THERE makes rarefied language solid and visceral

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THERE (Wilma): 2019 Fringe review

THERE is not a place on Earth’s map. It is not a poem recital, nor is it a play.

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DANCE NATION (Wilma): What it means to be ferociously pubescent

The constant menace of teenage ambition hums under the entire production.

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Bringing Shakespeare to Life: Interview with director Matt Pfeiffer about...

Matt Pfeiffer talks love of Shakespeare and SHAKESPEARE IN LOVE

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Lightning Rod Special presents SUPERHOST, a Halloween audio thriller

Listening party on October 27th and available for streaming on Lightning Rod Special’s website starting October 28th The post Lightning Rod Special presents SUPERHOST, a Halloween audio thriller...

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KISS (Wilma): What does it mean when someone else is representing you?

A play is about acting as well as the political act of making theater as well as about getting it wrong through cultural appropriation The post KISS (Wilma): What does it mean when someone else is...

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THE PLAY THAT GOES WRONG (1812): Fall-off-your-chair hilarity

This is not the admiring smirk or a contemptuous Ha-ha!, but fall-off-your-chair, eye-mopping hilarity. The post THE PLAY THAT GOES WRONG (1812): Fall-off-your-chair hilarity appeared first on phindie.

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TWELFTH NIGHT (Wilma): Foolery shines everywhere

“Foolery, sir, does walk about the orb like the sun; it shines every where.” Leaving Copernicus aside, the Fool’s wry remark is an apt description… The post TWELFTH NIGHT (Wilma): Foolery shines...

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TWELFTH NIGHT (Wilma): Beach blanket Bard

There’s a lot of Twelfth Night going around in the Philadelphia area, all different. The Wilma conjures a fresh seaside setting. A dock moves forward.… The post TWELFTH NIGHT (Wilma): Beach blanket...

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